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| Titan A.E.: A Whitopia is basically a 'drifter colony' for those with no home |
The other day, I happened to watch Titan A.E. Strange as this may sound; it came out when I was in high school. It’s not a good movie by any stretch of the imagination, but the general thrust of the story intrigued me enough to watch bits and pieces of it while I finished reading a book called Detroit Divided.
First off, it’s a cartoon set between 3028 – 3043 A.D. The world has been destroyed (as in the planet has been blown up by an alien life-form made of pure energy) and only a few pockets of humanity escaped of earth.
Wikipedia describes beautifully what comes next:
Titan A.E. primarily deals with the idea of human existence after the destruction of Earth. The movie opens with the destruction of Earth and primarily takes place 15 years after this event. Since that time, humans’ numbers have dwindled and there is a general prejudice against them from other species. Many humans, even ones who once fought to save humanity, have given up on the species and concluded that extinction is only a matter of time. Cale is initially cynical in this way but begins to believe in saving his species more after spending time on a “drifter colony” full of humans and relics from Earth.
It was while watching the apathy of the Cale character (voiced by Matt Damon) toward fighting to save humanity, that I realized the movie was a perfect metaphor for our time. Sometimes, I wonder how many people have given up on defending the historic majority population of not only America, but of Europe and the civilizations her people gave birth too.
There’s a reason the entire non-European world wishes to live in the European-created world; they’d rather live in a world created and sustained by what Disingenuous White Liberals (DWLs) call ‘white privilege’ then their native land. The only ‘white privilege’ that white people have left in Europe, America, Australia, New Zealand, and South Africa is the privilege of watching their nations become submerged by people who have no vested interest in maintaining the culture (an extension of race) that created it.
People dissent on what they are allowed to dissent on (in our strange world, we’d call these people “libertarians”) and the rest go about their pointless lives, hoping to get through the work week so they can spend a few hours in ecstasy watching a collegiate or professional sporting contest.
They remain comfortably numb to anything outside the micro-paradigms they’ve created for themselves, while a macro-paradigm shift has occurred which governs all of our lives.
Hard to believe, but 100 years ago white people made up roughly 33 percent of the world’s population; today, less than 8 percent of the population is white.
In many ways, we live in a world like that in Titan A.E. Europe is quickly becoming Eurabia; South Africa and Rhodesia Zimbabwe are done; Australia and New Zealand will be swallowed by the demographic tidal wave; and the United States of America is governed by Black-Run America (BRA), where the slightest dissent means complete ostracism from respectable society.
For four generations now, white Americans have participated in the abandonment of major city after major city. The consequences of this pulling up tent and running away from major cities that become untenable to raise a family in (always due to the same reason: high rates of Black crime that drive down property value, force the closing of businesses, and worse, bring ruin to the schools) have been disastrous.
The collapse of Detroit into barbarism is the perfect reminder of why we live in a world much like that of Titan A.E. Detroit’s collapse is 100 percent racial; the original Detroit, like earth in Titan A.E., has been destroyed irrevocably.
Detroit had a Black riot in 1967 that convinced white people of the need to flee for the suburbs if they were to survive and flourish. Multiple Coleman Young mayoral terms in Detroit convinced those few remaining white people to completely give up on the city.
Civilization is, for all intents and purposes, dead in Detroit. Though few will state it – remember, Detroit is 84 percent Black now – the collapse of The Motor City is 100 percent a reminder that Black people lack the capacity to even sustain a city they are given through the attrition of white people.
Heidi Ewing and Rachel Grady, two filmmakers, have captured what happens when white people leave a towering metropolis that their ancestors created behind. Called Detropia, their documentary shows a glimpse of the future for all cities or counties that the Black Undertow submerges:
Detroit lost 25 percent of its population between 2000 and 2010, and now, broke, finds itself on the verge of a possible state takeover. Yet visual reminders of a better time both haunt and anoint the residents here. The past is achingly present in Detroit, and the way its citizens interact with the hulking, physical remnants of yesterday is striking.
A few years ago, there was a rash of power outages in Detroit, caused by people illegally cutting down live telephone wires to get to the valuable copper coils inside. The Detroit police created a copper theft task force to deter the so-called “scrappers,” young men who case old buildings for valuable metals, troll cemeteries to steal copper grave plates and risk their lives to squeeze any last dollar out of the industrial detritus.
One freezing evening we happened upon the young men in this film, who were illegally dismantling a former Cadillac repair shop. They worked recklessly to tear down the steel beams and copper fasteners. They were in a hurry to make it to the scrap yard before it closed at 10 p.m., sell their spoils and head to the bar.
Surprisingly, these guys, who all lacked high school diplomas, seemed to have a better understanding of their place in the global food chain than many educated American 20-somethings. The young men regularly checked the fluctuating price of metals before they determined their next scrap hunt, and they had a clear view of where these resources were going and why. They were the cleanup crew in a shaky empire.
Somebody’s got to do it.
Will Detropia admit the racial aspect of Detroit’s collapse? Will it even broach the racial aspect of the collapse? Doubtful.
But those hated white people, who will continue to face increasing prejudices as their numbers decrease (and yet still be given the bill to pay for entitlements to subsidize the high growth rates of minority populations) will forever search for new homes to raise families free of crime, with safe streets, and with a flourishing school system.
They’ll search for “drifter colonies” – as in Titan A.E. – where the relics of an almost all-white society from the past is kept alive, if only fleetingly. To paraphrase one of my favorite lines from a movie, kids who get to grow up in a Whitopia – isn’t that all a “drifter colony” is in BRA? – get to see what all of America was once like, just a glimpse that will eventually be lost, like tears in the rain.
. Those people who yearn for the “good ole days” of America actually yearn for a world that has been dismantled, and can never be restored. The Detroit of yesterday is but the scrap metal of today.
How many other cities will eventually see a similar fate? Milwaukee, Cleveland, Baltimore, and Birmingham all are at the top of a growing list.
Surrounding these dying cities reside flourishing “drifter colonies” that will eventually be abandoned to the expanding Black Undertow, fleeing the very major city they couldn’t sustain.
The Detroit Free Press profiled Detropia, publishing these words:
The city's struggles have had no lack of attention recently. There have been other documentaries, as well as national TV reports, photo books, art exhibits and references in pop songs.
But "Detropia" seems different, for a couple of reasons. One, it's made by Oscar-nominated documentary filmmakers Heidi Ewing, who grew up in Farmington Hills, and Rachel Grady. They are best known for the controversial 2006 documentary "Jesus Camp," which focused on an evangelical Christian summer camp. Two, it frames the story from the perspective of the decline and collapse of America's manufacturing base, with Detroit being at the epicenter.
"Our intention is not that somebody point the finger and say, 'Man, Detroit's really got problems.' If that's what happens, then we've failed at our job," Ewing said this week.
"We want people to say, 'Man, that's happening in my city, too. How did we let it go this far? What is our American identity when we've allowed a city to come to this point? And what are our priorities?'
"Really, we want the story of Detroit to boomerang back to the viewer and reflect upon what's going on around them and their part of the country."
With evocative music and hauntingly lovely cinematography, "Detropia" conveys some of the emptiness and beauty of the city while delving deeply into the economic battering it has taken.
The villain of the piece could be the shift of manufacturing power from the U.S., where making things fueled the rise of the middle class, to countries such as Mexico and China, where the costs of producing goods can be much cheaper.
The movie, which took two years to plan and complete, doesn't shrink from harsh realities. There are familiar scenes of an abandoned house being torn down, people scavenging for scrap metal amid ruined buildings and community meetings filled with pain and resentment.
Pain and resentment. In how many hearts, in how many minds, in how bodies of those searching for the next Whitopia “drifter colony” to try and raise a healthy family in, do these two words register?
Just as in Titan A.E., a high number have privately realized what is happening, but the majority of them have accepted that extinction of their way of life is all but finalized.
Why stand in the way of history, when it would only prevent you from cheering on your alma mater or favorite professional team to victory?
Steve Lasser recently wrote an op-ed for The New York Times, claiming optimism is the only way forward for Detroit. Knowing that the city is being scavenged by scalpers seeking a quick profit, while simultaneously deserted by the very people who precipitated its demise, one can only conclude that Lasser is mentally unstable.
But is one mentally unstable for hoping that the day comes when those congregating in “drifter colonies” amid the outskirts of once mighty cities all across this nation (Chicago, Detroit, Atlanta, Memphis, Birmingham, St. Louis, Cleveland, Los Angeles, Milwaukee, Richmond, and others come to mind) realize that for the sake of the future generations of the unborn, an end to the system of BRA must end?
Detroit is the future for America if nothing changes, if the system of BRA remains in place.
If it does not, well, just like at the end of Titan A.E. we’ll get to create our own world, how ever we see fit.
The other day, I happened to watch Titan A.E. As the credits rolled, it dawned on me: the days of hoping to find the next US News and World Report or CNN/Money “Best Place to Raise a Family” Whitopia “ Drifter Colony” must end. Once, all of America looked like this dwindling-in-cities; now, the Federal government plots to put refugees or Section 8 housing in their midst’s.
Looking at the pictures of the old Detroit - the beautiful edifices of majestic buildings-you start to understand that they represent relics of a lost country, one that is still worth defending to the end.
Those residing in “Drifter Colonies” still seek out some semblance of that lost America, even if they won’t admit why they move from one Whitopia experiencing Climate Climate to one unmolested by this real phenomenon. A temporary 'drifter colony' for safe harboring.
Cynicism that the end of BRA will come must end. What comes when it does end, well, that’s the real question.
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